Movies & Such Summer 2020

Movies & Such Summer2020

This pandemic has distorted my sense of time.  The various streaming services are a blessing. 


2June2020: This House


Filmed live on stage in 2013, This House is a timely, moving and funny insight into the workings of British politics, written by James Graham (Ink, ITV's Quiz). Jeremy Herrin (People, Places and Things, All My Sons) directs.

It’s 1974, and Britain has a hung Parliament.  The corridors of Westminster ring with the sound of infighting and backstabbing as the political parties battle to change the future of the nation.

During this era of chaos, when a staggering number of politicians die and age-old traditions are thrown aside, MPs find they must roll up their sleeves, and bend the rules, to navigate a way through the Mother of all Parliaments.

I didn't understand some of the language, some of the references, and most of the legal stuff.  But I did enjoy this play.  I kept rooting for the Labour government.  


  7June2020: From the Globe Theatre:  The Merry Wives of Windsor (2019)


From YouTube:  Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense… The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land. This production draws influences from British 1930s fashion, music and dance, and with its witty mix of verbal and physical humour, rejoices in a tradition that reaches right down to the contemporary English sitcom. 

Directed by Elle White, this production stars Olivier Award-nominated Bryony Hannah as Mistress Ford, Sarah Finigan as Mistress Page and Pearce Quigley as Falstaff.

I've seen production of the Merry Wives that make me uncomfortable laughing at Falstaff, but this one was fun.  I didn't fee that Falstaff was going to be hurt, and he was a mischievous fellow on the make and not malicious.  Pearce Quigley was great.  

Also fun, of course, is the Frenchman, Dr. Caius who 'makes the turd'



 9June2020: Snows of Kilimanjaro


The Snows of Kilimanjaro.jpgWikipedia

Directed byHenry King
Produced byDarryl F. Zanuck
Screenplay byCasey Robinson
Based onThe Snows of Kilimanjaro
1936 story
by Ernest Hemingway
StarringGregory Peck
Ava Gardner
Susan Hayward

A 1952 film based on a 1936 short story by Hemingway.  A disillusioned writer is wounded and near death while on a safari in Africa.  He relives his love life and his supposed failure to live up to his potential while his current companion nurses him and fights off witch doctors and despair.  The recurrent thread of the story is a conundrum -- near the top of Kilimanjaro is the frozen carcass of a leopard and no one can explain why the leopard went there.

We saw this film with the Credit Union crowd.  Jeffrey zoomed and then we switched to Wikimedia -- it's in the public domain.  It was fun to watch. 

Part of the great commercial success lay with the cinematography:  lots of scenes of animals and countryside that people just had not seen in color before.  Evidently, in the short story Harry Street dies and joins the leopard on the mountain.  In the film, there is a supposed happy ending since the plane gets there to take him to a hospital.  Supposedly, Hemingway didn't watch the movie, although he took the money and did not disavow the film.  He said that the best performance in the film was the hyena, voiced by Henry King, the director.

I found the dialog stilted -- Hemingway dialog is one thing on the page and another in the ear.  I also have little patience with the obsession with masculinity -- how hard is it?  how long will it stay up?  Why do I always marry rich women?  Why do I sacrifice my relationships on the alter of my great talent?  If I'm so talented why am I such a sell-out? 

18 June 2020: Small Island - National Theatre

Small Island (Closed August 10, 2019) | West End | reviews, cast and info |  WhatsOnStage

Adapted by Helen Edmundson
Based on the novel by Andrea Levy
Leah Harvey (Hortense) 
CJ Beckford (Michael) 
Gershwyn Eustace Jr (Gilbert)
Andrew Rothney (Bernard)
Aisling Loftus (Queenie)

From the National Theatre website:  
This epic and much-loved stage production of Andrea Levy’s Orange Prize-winning was filmed live on stage during its sold-out run in 2019.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury. 
The play follows three intricately connected stories: Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history between Jamaica and the UK.
A company of 40 actors were filmed live on the Olivier Theatre stage in this timely and moving story.

We watched on YouTube.  A good play.  Set mostly during WWII.  Jamaicans who were British citizens had a hard time in Britain.  Colonialism as well as racism is a heavy burden.  Given all the present unrest and upheaval here, to hear how Americans were considered was sad.  These performances were very good and the stage craft was wonderful.  I would love to see this in a theatre.  The scene-setting was superb.  


National Theatre at Home: A Midsummer Night's Dream

From the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris

(Green Wing, One Man, Two Guvnors, Twelfth Night, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (Barber Shop Chronicles, 'Master Harold’… and the boys) lead the cast as Titania, Oberon, Puck and Bottom.  Directed by Nicholas Hytner

Lovely.  Excellent production.  They make Theseus' world bleak and Puritan.  The fairy world was pretty racy. Puck worked for Titania and Oberon fell in love with Bottom.  Nice contrast.  Oberon had so much fun with Bottom that it seemed sad that with Titania he was mistrustful and as Theseus he was hide-bound.  Nice twist to an old standard. 



Sunday, 12 July 2020:  The Deep Blue Sea with Helen McCrory | Free National Theatre at Home Full Performance

A brutal sense of loss and longing burns. Terence Rattigan’s devastating post-war masterpiece contains one of the greatest female roles in contemporary drama. Helen McCrory plays Hester Collyer and Tom Burke is Freddie Page. A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion.

Helen McCrory and director Carrie Cracknell reunite following the acclaimed Medea in 2014. The Deep Blue Sea is streaming from 7pm UK time on Thursday 9 July until 7pm on Thursday 16 July. -- The running time is 2 hours 5 minutes with a very short interval. The BBFC rating is 12A, due to depictions of suicide attempts and some strong language.

This play felt very 1950s England.  All my stereotypical ideas about theatre: "issues of sexual frustration, failed relationships, and a world of repression and reticence."  According to Wikipedia, the author Terence Rattigan was not part of the Angry Young Men of John Osborne and the kitchen sink dramas.  Yet, as a know-nothing, I see lots of similarities.  I guess there are pleasant references to "society" and the upper classes.  Maybe that's what stands out to critics and folks who know. 



Monday, 17 Aug 2020: Of Human Bondage

mons.wikimedia.org/w/index.php?curid=18512713

Of Human Bondage Poster.jpg

We saw this via YouTube with the Credit Union outreach.  

1934 adaptation of Somerset Maugham's novel telling the story of a club-footed would-be-artist turned half-hearted-medical-student who obsesses on a lower-class, sadistic waitress.  Directed by John Cromwell and starring Leslie Howard and Bette Davis.  

I remember the book -- distasteful, sadistic.  I had no sympathy for anyone.  That was a long time ago and the book was much more powerful than the movie.  Watching the movie this time, I still had no sympathy for the Leslie Howard character. He was irritating, and I could completely understand the impatience of the Bette Davis character.  At the end, Maugham killed her off with syphilis and the movie hints at TB, she looked like a wraith.  I felt that her character had been treated very shabbily and that it would have been very satisfying to learn that she'd met a Rockefeller or an earl.  


Monday, 14 September 2020:  The Road to Bali

https://en.wikipedia.org/wiki/Road_to_Bali

Road to Bali film.jpg

 

Road to Bali is a 1952 American comedy film directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Released by Paramount Pictures on December 25, 1952, the film is the sixth of the seven Road to … movies. It was the only such movie filmed in Technicolor and was the first to feature surprise cameo appearances from other well-known stars of the day.



Directed by Hal Walker
Produced by Daniel Dare & Harry Tugend
Screenplay by    Frank Butler, Hal Kanter, & William Morrow
Story by   Frank Butler, & Harry Tugend
Starring   Bing Crosby, Bob Hope, & Dorothy Lamour

A Credit Union movie night film.  A hoot. Lots of 'in' jokes, gag cameos -- including a clip of Humphrey Bogart pulling the African Queen through the swamp.   I kept thinking of the Oceans 11 etc. movies.  A cast in control of content.  Lots of ad libbing.  Seems like a lark for all involved.  Cool guys doing their schtick.  


17 September 2020:  13th

https://en.wikipedia.org/wiki/13th_(film)
13th (film).png

Directed by   Ava DuVernay

Produced by Howard Barish, Ava DuVernay, Spencer Averick

Written by    Ava DuVernay, Spencer Averick

Music by       Jason Moran

Cinematography     Hans Charles, Kira Kelly

Edited by      Spencer Averick

Production
company       Kandoo Films

Distributed by         Netflix

Release date September 30, 2016 (NYFF)

October 7, 2016 (United States)

Running time          100 minutes

Country         United States

Language      English

Budget           $1 million

Box office      $566 (UK only)

 

First film shown in OLLI Documentary Films class.  









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